Skip to main content

S2: E60 Teaching with Laryngitis

Season Two
Episode 60
Teaching with Laryngitis


This last week I taught with little to no voice for several days.  By Thursday I had literally no voice at all and Friday was only somewhat better.  Today as I’m recording this, is the first day I feel like I can talk. Laryngitis isn’t something I’ve gotten for a long time, but once it hit I knew I didn’t want to stay home and with the start of all new classes for the trimester I wanted to be sure that students were learning and that I was there.


Here are a few ideas that I used to help me make it through each class while still continuing to teach lessons:

1 - Teach in silence
  • Literally waving and demonstrating everything
  • You can do more than you think without your voice!  
  • Don’t push your voice as it can make things worse.
  • Plan to do things that don’t involve your voice.


2 - Teach movement pieces
  • Teaching body percussion can be simple: do one step at a time
  • Many folk dances, especially large circle dances, can be taught through imitation as you go along.  Visually demonstrate either as the movement goes along or in short sections through having students imitate your moves.  I used a few New England Dance Master folk dances and even though a few of them were overly simplistic for my students they enjoyed them and because they knew my voice was gone, they went with it.


3 - Use the recorder for the pieces you would have sung
  • I led students through solfege exercises using the recorder and taught them a melody for a song this way that I would have normally sung.  Echoing on solfege works or even just on a neutral syllable.
  • I also used the recorder to teach a new recorder canon - repetitive echoing and putting phrases together; music was on the board in four phrases.  We worked on the first two phrases only.


4 - Drum
  • Just like singing can be replaced by the recorder, speech can be replaced with the drum.
  • I taught students a short poem by drumming a rhythm and having them echo patterns that went along with text as the text was on the board
  • Then after hearing the rhythm of the text on the drum, they could speak it.
  • I was at a stage where I could whisper somewhat so I whispered the poem and they continued to speak it.  I know whispering is bad for my vocal chords so I tried to do it as little as possible and let students lead it with their voices.
  • Then we transferred it to the drums and played.


5 - Review all previously known material


Much of what helped me overcome the laryngitis quickly was as a result of what I did when I wasn’t teaching.  To the best of your ability, take care of yourself and prioritize your health needs throughout your teaching day, but also as soon as the day ends.  


Early bedtime
Drink water and lots of it
Wash hands often
Drink warm/hot liquids
Steam from water
Cool air humidifiers are wonderful for adding moisture into the air and keeping nasal/air passages moist which is important.
Rest your voice - try not to whisper - this one is a struggle for me.  I know it’s bad for my voice, but I feel like I still have so much I want to say and need to say.


If your laryngitis comes back frequently or your voice is gone for long periods of time (more than 2 or 3 weeks or more), consider seeing a doctor that specializes in vocal disorders and who understands the voice.  I’ve had several friends who have had a range of vocal issues and seen so much progress as a result of going to an otolarangologist or other physician.


I wish you the best for your vocal health and hope that if you find yourself without a voice that these ideas help.

Comments

Popular posts from this blog

S4: E107 Active Listening Through Storytelling and Classical Music with Robert Franz

Season Four Episode 107 Active Listening with Robert Franz Robert Franz Website Stella's Magical Musical Balloon Ride Ted Talk: Active Listening and Our Perception of Time Robert Franz Bio: Acclaimed conductor, Robert Franz, recognized as "an outstanding musician with profound intelligence," has held to three principles throughout his career: a commitment to the highest artistic standards, to creating alliances and building bridges in each community he serves, and a dedication to being a strong force in music education.  As Music Director of the Windsor Symphony Orchestra and Fairbanks Summer Arts Festival Orchestra, Associate Conductor of the Houston Symphony, and newly appointed Artistic Advisor of the Boise Baroque Orchestra, he has achieved success through his focus on each of these principles. His appeal as a first-rate conductor and enthusiastic award-winning educator is acclaimed by critics, composers, and audiences of all ages.  Composer Bright S

Recorder: What to do with Hot Cross Buns

Hot Cross Buns... it might be the bane of your existence, a song to start with students with B-A-G on the recorders that really doesn't affect you one way or the other, or a great song to use that is simplistic and gets the job done.  No matter what your feeling on it, it's likely that you've used it because it is effective at teaching simple rhythms, B-A-G and giving students a great starting place when learning recorder.  Personally, I find it useful but I'm honestly tired of it.  I decided to do something new with it this summer and wanted to change it so that it was more musical.  For many days of my summer break I spent time in the morning playing the recorder.  I wrote down melodies I had improvised and liked, played with modes and scales, added unpitched percussion parts/piano/guitar chords and enjoyed seeing what could be done.  Not all of the pieces were very good but it was a great creative way to figure out some solutions for recorder pitch sets, rhythms an

S6: E127 Mini Soundtrap Project

 Season 6 Episode 127 Mini Soundtrap Project In the last few episodes I’ve shared some Soundtrap lesson ideas that I created and used with students.  Podcasts, Fictional Character Themes, Found Sounds, and Poem with Loops.  Check out the resources provided for each of these lessons in the show notes or on the blog. Today’s episode is about a simple Soundtrap project that could be done as a collaboration by several students or by an individual in whatever time frame you provide.  The benefit of this lesson is that it’s incredibly flexible.  It could be done in as little as 20 minutes or as much as 45 minutes or more.  The idea is to allow students to create a piece containing a specific amount of loops that includes an introduction and ending.  Like I said super simple.  This might be a great way to introduce students to loops and even form structure depending on how you set up your rubric.   This was a lesson I used while I was out this past week and needed something that a substitu